Mozart the Dramatist (2024)

Mozart the Performer: Variations on the Showman's Art

Dorian Bandy

Published:

2023

Online ISBN:

9780226828565

Print ISBN:

9780226828558

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Mozart the Performer: Variations on the Showman's Art

Dorian Bandy

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Pages

161–198

  • Published:

    December 2023

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OXFORD ACADEMIC STYLE

Bandy, Dorian, 'Mozart the Dramatist', Mozart the Performer: Variations on the Showman's Art (Chicago, IL, 2023; online edn, Chicago Scholarship Online, 23 May 2024), https://doi.org/10.7208/chicago/9780226828565.003.0006, accessed 7 June 2024.

CHICAGO STYLE

Bandy, Dorian. "Mozart the Dramatist." In Mozart the Performer: Variations on the Showman's Art University of Chicago Press, 2023. Chicago Scholarship Online, 2024. https://doi.org/10.7208/chicago/9780226828565.003.0006.

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Abstract

This chapter explores notions of character, plot, and subjectivity in Mozart's music, arguing that much of his facility as an operatic composer, though not directly entangled with his technique as a performing pianist, was nonetheless shaped by aspects of his stage persona and performing background. The chapter begins by surveying the metaphor of "character" in Mozart's instrumental music, arguing that it can be understood in relation both to the identities of actual individual performers (soloists in concertos, for instance, or wind players in symphonies) or more abstract musical phenomena such as styles of expressive accompaniment. The chapter goes on to explore depictions of listening and subjective viewpoints across Mozart's concertos, chamber music, and Da Ponte operas. It ends with reflections on Mozart's compositional persona as a fictionalized, dramatic role, and argues that unlike the personae of other many composers during and after his lifetime, Mozart's persona is marked by an aesthetic ambivalence and amorality that in turn helped define both his instrumental and operatic styles.

Keywords: Wolfgang Amadeus Mozart, Mozart-Da Ponte operas, subjectivity, character, compositional persona

Subject

Musicology and Music History

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Mozart the Dramatist (2024)

FAQs

What did Tchaikovsky say about Mozart? ›

For Tchaikovsky, Mozart's music was like an incarnation of divine beauty in a human form that inspired love, rather than awe (as was the case with Beethoven), and in a remarkable diary entry of 1886 (quoted below) he described Mozart as a "musical Christ".

What is the most dramatic Mozart? ›

Requiem – 'Confutatis'

By its very definition, Mozart's Requiem is an immensely powerful, moving work. Best known of all its movements are the 'Requiem aeternam', earth-shattering 'Lacrimosa', and fateful 'Dies irae'.

What is an interesting paragraph about Mozart? ›

Mozart was born in Salzburg to a musical family. From an early age, the young Mozart showed all the signs of a prodigious musical talent. By the age of 5 he could read and write music, and he would entertain people with his talents on the keyboard. By the age of 6 he was writing his first compositions.

Who was Wolfgang Amadeus Mozart describe his works? ›

Mozart composed music in several genres, including opera and symphony. His most famous compositions included the motet Exsultate, Jubilate, K 165 (1773), the operas The Marriage of Figaro (1786) and Don Giovanni (1787), and the Jupiter Symphony (1788). In all, Mozart composed more than 600 pieces of music.

How did Beethoven feel about Mozart? ›

Beethoven held Mozart in high regard; some of his music recalls Mozart's, he composed several variations on Mozart's themes and he modeled a number of his compositions on those of the older composer.

What did Haydn say about Mozart? ›

Haydn eulogized Mozart, saying: “Posterity will not see such a talent again in 100 years.” With the benefit of more than two centuries of hindsight, few would argue with Haydn's assessment of his young friend's remarkable talents.

What is Mozart's greatest masterpiece? ›

His last symphony—the Jupiter Symphony—is perhaps his most famous. Mozart completed the Jupiter Symphony in 1788, just three years before his death. At his death, Mozart left incomplete his Requiem in D Minor, K 626. The requiem was later completed by Mozart's student, Franz Xaver Süssmayr.

Who did Mozart marry? ›

Constanze was a trained musician and played a role in her husband's career.

What was Mozart composing when he died? ›

The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year.

What religion was Mozart? ›

The composer Wolfgang Amadeus Mozart was a Catholic, and the Church played an important role in his life.

What is a funny fact about Mozart? ›

Mozart loved playing pranks on people. He even created a piece titled “A Musical Joke,” where passages were played out of tune. He did this to make fun of who he believed to be bad composers. Mozart claimed that he taught his pet bird, a starling, to sing the opening of his Piano Concerto Number 17, K 453.

What ethnicity is Mozart? ›

Some sources mention both nationalities: the Brockhaus Riemann Musik Lexikon (1975) begins its article "composer, on the father's side of Augsburg-south German ancestry; on the mother's side Salzburg-Austrian".

Are there any descendants of Mozart alive today? ›

At the age of 26, Mozart married Constanze Weber from Mannheim. He had six children with her, but only two survived: the two sons Carl Thomas and Franz Xaver Wolfgang. However, they remained childless themselves, which is why there are no direct descendants of Wolfgang Amadeus Mozart today.

Which great composer was deaf? ›

Classical composer Ludwig van Beethoven suffered hearing loss, leading to his complete deafness. Yet he was still able to compose masterpieces of music.

Was Mozart a genius? ›

Mozart was not like any other prodigy. His was not just a big talent, it was that of genius. At the age of four, he could learn a song on the piano in just 30 minutes. He also taught himself the harpsichord, organ and violin.

What did Tchaikovsky say about Beethoven? ›

I bow before the greatness of some of his works, but I do not love Beethoven. My attitude towards him reminds me of how I felt as a child with regard to God, Lord of Sabaoth.

What did Tchaikovsky think of Chopin? ›

Herman Laroche hinted at these when he noted how Chopin belonged to those composers towards whom Tchaikovsky always felt a certain antipathy: "Of course he could not deny Chopin's talent, and it seems that some works by Chopin, such as the Barcarolle, the Fantasy in F minor, and some Nocturnes, appealed to him to some ...

How did Tchaikovsky feel about Symphony No 6? ›

However, some or all of the symphony was not pleasing to Tchaikovsky, who tore up the manuscript "in one of his frequent moods of depression and doubt over his alleged inability to create".

What did Tchaikovsky think of Schubert? ›

In Tchaikovsky's Music Review Articles

TH 287 — discussing one of the many works by Schubert discovered after his death, Tchaikovsky refers to him as a "composer of genius".

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